Using AI as
a creative tool.

“Generate me a phone concept that looks like it was made by teenage engineering, sleek, minimalist and polished. 3 rear facing cameras minimum. I need several detailed views of the phone, orthographic of top, bottom, front, back, left and right. I also need a 3/4 view as well.”

“Using the attached animatic, character sheet and reference image, make me a prompt for Higgsfield using Seedance 2.0 to generate a product showcase video that mirrors the clean and minimal aesthetic of teenage engineering’s product showcase videos. The animatic should be used as a locked guide for each of the shots”

STRICT ANIMATIC-LOCKED PRODUCT RENDERING TASK DEFINITION Perform a photorealistic appearance transformation of the existing product animation from @Video 1. This is NOT a new video creation task, commercial concept, cinematic interpretation, or storyboard generation task. The provided video is the final approved camera animation. Its composition, framing, motion, shot duration, and visual sequencing are already established. Your ONLY task is to reproduce that existing animation with improved product materials, lighting, reflections, surface fidelity, and photographic realism. REFERENCE HIERARCHY — STRICT PRIORITY @Video 1 — ABSOLUTE ANIMATION AUTHORITY. Controls all camera positions, perspective, focal framing, object movement, scale, composition, timing, and visibility. Reproduce the supplied animation as closely as possible frame by frame. @Image 2 — ABSOLUTE PRODUCT DESIGN AUTHORITY. Defines the precise geometry, proportions, camera configuration, buttons, seams, screws, component placements, markings, colors, and industrial design of the phone. @Image 1 — PHOTOGRAPHIC APPEARANCE REFERENCE ONLY. Defines the desired surface quality, material response, realistic lighting, microtextures, reflection behavior, and image finish. Do not copy its camera angle or composition. When references conflict, preserve the camera animation from Video 1 and the physical product identity from Image 2. ANIMATION AND COMPOSITION LOCK Reproduce exactly the existing shot shown in Video 1. Preserve the original animation's progression from first frame to last frame. Maintain identical camera orientation, perspective, trajectory, and movement speed. Maintain the phone's silhouette, placement, scale, rotation, and cropping throughout the sequence. Preserve every intentional pause, static hold, and subtle movement. Do not add camera movement to otherwise static moments. Do not introduce any additional shots, cutaways, inserts, transitions, or alternate viewing angles. Do not recompose the subject to achieve a more cinematic image. Do not extend the action or invent new content before or after the supplied shot. There must be exactly ONE continuous shot, reproducing the shot contained in the video reference. PRODUCT IDENTITY LOCK The product is a minimalist, precision-manufactured black smartphone with distinctive exposed fasteners, a three-camera rear assembly, modular panel boundaries, a precisely positioned orange side button, and restrained industrial markings. Preserve every physical feature as defined by Image 2. Do not redesign, simplify, reposition, recolor, duplicate, or remove any component. Maintain accurate lens dimensions, button locations, housing thickness, corner radii, chamfers, seams, ports, screws, typography, and branding. Any geometry not clearly visible in Video 1 must be inferred exclusively from the design reference. PHOTOGRAPHIC APPEARANCE TRANSFORMATION Apply an ultra-premium minimalist studio product-photography finish, inspired by the restrained visual sophistication of Teenage Engineering product campaigns. Lighting: Extremely soft, large-area diffused studio lighting with subtle directional illumination, carefully controlled reflections, elegant tonal gradients, delicate contact shadows, and natural ambient occlusion. Materials: Physically accurate fine-textured black anodized aluminum, satin-finished housing surfaces, precisely machined edges, refined camera lens glass, subtle optical reflections, and beautifully controlled surface microtexture. Environment: Neutral light-gray seamless studio background, soft warm-gray ambient illumination, natural tonal separation, clean highlights, controlled black levels, and no distracting environmental elements. Photographic quality: Crisp industrial geometry, convincing surface texture, realistic lens optics, subtle specular response, excellent dynamic range, sophisticated global illumination, and exceptionally clean photographic fidelity. The final image should resemble an immaculate high-end commercial product photograph rather than an obviously computer-generated render. ABSOLUTE EXCLUSIONS NO new shots. NO extra camera angles. NO cinematic inserts. NO unnecessary transitions. NO invented camera movement. NO additional object rotation. NO reframing. NO creative reinterpretation of the animation. NO geometry changes. NO added or missing buttons. NO altered lens arrangement. NO invented details. NO distorted typography or logos. NO unintended material changes. NO dramatic lighting, artificial bloom, aggressive depth of field, lens flares, exaggerated reflections, excessive contrast, stylized effects, or science-fiction visual treatments. FINAL DIRECTIVE Treat the provided video as a locked animation plate. Retain its original shot structure and movement. Change only the product's photographic appearance and environmental lighting. The success criterion is fidelity to the reference animation, not the creation of new cinematic imagery.

Can we simplify the body lines and sharp styling of this car? I want the overall silhouette and shape of the car to stay the same. Please create orthographic views, top, front, side, back.

Create an ultra-photorealistic automotive editorial photograph using the two provided images. IMAGE REFERENCES Image 1 — Photography and environment reference: Use this image as the primary reference for composition, lighting, exposure, atmosphere, color grading, and overall photographic aesthetic. Image 2 — Vehicle design reference: Use this image as the exclusive reference for the car's design, shape, geometry, proportions, materials, and details. COMPOSITION & ENVIRONMENT Recreate the exact studio environment and visual atmosphere of Image 1, replacing the Porsche with the silver concept car from Image 2. The scene takes place inside an enormous, nearly pitch-black industrial photography studio with a massive rectangular overhead softbox suspended above the vehicle. The softbox is recessed within a dark rectangular housing, creating a dramatic architectural lighting feature in the upper portion of the composition. Position the concept car near the bottom of the frame, maintaining the same relative scale, camera distance, negative space, and visual weight as the original Porsche photograph. Photograph the vehicle from a low, slightly elevated rear three-quarter perspective, similar to Image 1, revealing the side profile and rear of the vehicle. Maintain the same camera height, approximate focal length, framing, and perspective. LIGHTING Match the lighting in Image 1 as closely as possible. The massive overhead softbox is the dominant illumination source, producing soft, directional, naturally diffused white light that falls gently across the car. The vehicle should remain predominantly in shadow, with subtle illumination revealing its silhouette, sculpted surfaces, window contours, wheels, and rear bodywork. Create delicate, physically realistic specular reflections across the silver metallic paint. Avoid strong artificial rim lights, exaggerated reflections, or excessively bright surfaces. The studio floor receives a narrow pool of soft illumination beneath the vehicle, while the surrounding environment fades into almost complete darkness. Allow atmospheric haze to subtly reveal the light falling through the space, with realistic light scattering and very gentle volumetric illumination. PHOTOGRAPHIC REALISM The result must look like a real photograph of a physically manufactured concept car, not a CGI render or digital illustration. Emulate premium automotive editorial photography: Natural optical imperfections and subtle film grain. Deep, nuanced blacks with gently lifted shadow detail. Slightly cool, desaturated cinematic color grading. Realistic metallic paint response and imperfect micro-surface reflections. Natural light falloff and physically plausible indirect illumination. Subtle atmospheric depth and realistic contact shadows. Restrained contrast with no artificial HDR appearance. Preserve the moody, mysterious, minimalist, almost architectural quality of Image 1. The image should feel quiet, elegant, cinematic, and extremely sophisticated. VEHICLE ACCURACY — CRITICAL Faithfully reproduce the silver concept car from Image 2. Preserve its exact silhouette, wheelbase, roofline, body proportions, five-spoke wheels, front and rear overhangs, glass canopy, headlight and taillight designs, and all distinctive exterior design details. Use the orthographic views in Image 2 to reconstruct a consistent, believable three-dimensional vehicle from the requested camera angle. Do not borrow any design details from the Porsche in Image 1. Do not redesign, reinterpret, simplify, or embellish the concept car. Do not add new vents, aggressive aerodynamic elements, decorative body lines, or other invented features. FINAL ART DIRECTION The finished photograph should feel almost indistinguishable from Image 1 in terms of mood, lighting, environmental composition, and photographic character. The only meaningful change should be the replacement of the original Porsche with the silver concept car. Prioritize the photographic realism and atmospheric restraint of Image 1 over making the vehicle appear overly polished, brightly lit, or visually exaggerated. Output: Vertical composition matching the original photograph, approximately 3:4 aspect ratio, high resolution, with substantial negative space above the vehicle. Avoid: CGI appearance, showroom lighting, glossy advertising renders, excessive contrast, unnaturally sharp edges, overexposed metallic surfaces, dramatic colored lighting, artificial lens flares, altered car proportions, and any extra objects or distractions.